Nestled on a corner plot in Riverside Mosman Park that Meaghan handpicked, Owston Hill reflects her architectural vision and a deliberate approach to design. Free from a predefined owner’s brief, the project allowed a clear focus on adaptability and considered interior choices. “When I design homes for clients, there’s always a dialogue,” she explains. “Creating for an unknown client pushed me to focus on a highly adaptable design and nuanced interior selections.”

Overlooking the parklands that fringe the local golf club, the residence integrates with its natural setting. The design draws from the established gum tree on its eastern side, with a refined palette of olive, gold and brass. This includes the golden steel staircase, which responds to the natural light.

Meaghan describes the home as timeless and neutral, with a subtle yet assured presence. It provides a flexible backdrop for personal expression through art and furnishings. Mobilia’s contribution includes striking pendants and contemporary floor coverings that enhance the spaces. Meaghan incorporated work by Perth based sculptor April Pine, including ‘Flutter’, a piece previously shown at Cottesloe’s Sculptures by the Sea in early 2020. A Magnolia, in full bloom by late spring, anchors the design and is visible from several vantage points, echoing the gold and green tones throughout.

As you enter, the space opens into an open plan living, kitchen and dining area. An abundance of light and greenery creates a calm and inviting atmosphere. Expansive glazing forms a clear connection between the living spaces and the north facing garden and pool.

To the west, the ground floor contains the kitchen, scullery and laundry, along with a dusty pink garage. The white Bowral bricks, used throughout, link the interior and exterior, referencing Mosman Park’s heritage while maintaining a modern aesthetic.